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	<title>Comments for bells</title>
	<atom:link href="http://bells.free-jazz.net/comments/feed/" rel="self" type="application/rss+xml" />
	<link>http://bells.free-jazz.net</link>
	<description>Metropolis proudly presents the re-birth of BELLS. Two times a week Metropolis will publish ‘forgotten’ and ‘unread’ material for those with an open mind, ears and eyes to discover or rediscover the revolution in Jazz. Metropolis says Thanks &#124; Danke &#124; Merci &#124; Obrigado to Henry Kuntz, who made this possible after all these years.</description>
	<pubDate>Sat, 04 Jul 2009 04:56:31 +0000</pubDate>
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		<title>Comment on henry kuntz by Thomas Gaudynski</title>
		<link>http://bells.free-jazz.net/the-bells-contributors/henry-kuntz/comment-page-1/#comment-5</link>
		<dc:creator>Thomas Gaudynski</dc:creator>
		<pubDate>Sat, 09 May 2009 01:10:25 +0000</pubDate>
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		<description>Hello Henry,

Hope you are doing well. Seems like you have saved up the past and published it for our reference.

I don't really want to leave a comment; just send you a message.

I was digging through some boxes in the basement today looking for some reference material on various writing projects: one is an essay I've been working on for 4-5 years about guitarists Chadbourne, Williams, and Kaiser, and I came across a couple of issues of Bells including nos 29-30 and 31-32. And there were two of my subjects described or reviewed by you from the time I was first discovering them. Part of my personal challenge regarding writing about them in the 1970s has been trying to restrict myself to what I heard or read at the time. You were there and a major source of information, explanation, and critique. Glad you resurfaced.

Will be deep diving for some more in the hear future (also brought up some Musicworks for a soundscape class I'm teaching this fall).

Listening to Folk Music by Trans as I type. Got so excited after Davey and Ladonna's first two releases that I brought them to MKE and Grand Rapids where I recorded a side of Direct Waves in 1979. Those were the days.

Best regards,

Thomas Gaudynski</description>
		<content:encoded><![CDATA[<p>Hello Henry,</p>
<p>Hope you are doing well. Seems like you have saved up the past and published it for our reference.</p>
<p>I don&#8217;t really want to leave a comment; just send you a message.</p>
<p>I was digging through some boxes in the basement today looking for some reference material on various writing projects: one is an essay I&#8217;ve been working on for 4-5 years about guitarists Chadbourne, Williams, and Kaiser, and I came across a couple of issues of Bells including nos 29-30 and 31-32. And there were two of my subjects described or reviewed by you from the time I was first discovering them. Part of my personal challenge regarding writing about them in the 1970s has been trying to restrict myself to what I heard or read at the time. You were there and a major source of information, explanation, and critique. Glad you resurfaced.</p>
<p>Will be deep diving for some more in the hear future (also brought up some Musicworks for a soundscape class I&#8217;m teaching this fall).</p>
<p>Listening to Folk Music by Trans as I type. Got so excited after Davey and Ladonna&#8217;s first two releases that I brought them to MKE and Grand Rapids where I recorded a side of Direct Waves in 1979. Those were the days.</p>
<p>Best regards,</p>
<p>Thomas Gaudynski</p>
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		<title>Comment on cecil taylor in paris by Kike Hurtado</title>
		<link>http://bells.free-jazz.net/bells-part-one/cecil-taylor-in-paris/comment-page-1/#comment-2</link>
		<dc:creator>Kike Hurtado</dc:creator>
		<pubDate>Sat, 12 May 2007 15:24:30 +0000</pubDate>
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		<description>

&lt;blockquote&gt;Sehr geehrter Herrn Kuntz

zuerst hätte ich gern Ihnen danken für ihre wunderschönen Erklärungen ( Daten) bzw. Taylors Werke und für die Chance, Cecil in Aktion  reinzusehen. zweitens, es ist für mich enorm wichtig die Funktion von ihrer Web Site, weil Infos über Frei Improvisierte Musik und Free Jazz nicht zu erreichen sind. ich schreibe Ihnen aus dem entfernen Chile, Südamerika. Es ist kaum die Chance, diese Musik reinzuhören. Zum Glück habe ich schon ihre Site gefunden und von nun an wird meine Lieblingssite, um Info über Free Jazz und Impro-Musik zu finden! Ich habe an der Uni ein online Sendung, namens JazVision. Anbei versende ich Ihnen die Adresse ob Sie Lust darauf, das Programm zu hören. herzlichen Dank, mit freundlichen Grüssen, Enrique Hurtado.&lt;/blockquote&gt;

</description>
		<content:encoded><![CDATA[<blockquote><p>Sehr geehrter Herrn Kuntz</p>
<p>zuerst hätte ich gern Ihnen danken für ihre wunderschönen Erklärungen ( Daten) bzw. Taylors Werke und für die Chance, Cecil in Aktion  reinzusehen. zweitens, es ist für mich enorm wichtig die Funktion von ihrer Web Site, weil Infos über Frei Improvisierte Musik und Free Jazz nicht zu erreichen sind. ich schreibe Ihnen aus dem entfernen Chile, Südamerika. Es ist kaum die Chance, diese Musik reinzuhören. Zum Glück habe ich schon ihre Site gefunden und von nun an wird meine Lieblingssite, um Info über Free Jazz und Impro-Musik zu finden! Ich habe an der Uni ein online Sendung, namens JazVision. Anbei versende ich Ihnen die Adresse ob Sie Lust darauf, das Programm zu hören. herzlichen Dank, mit freundlichen Grüssen, Enrique Hurtado.</p></blockquote>
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